Raymond RorkeRaymond Rorke Ceramics
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Our connection with clay is undoubtedly rooted in our profound connection with place. As a geological material, clay naturally speaks of its earthly source. But when made into objects, clay also expresses our particular human place in the world — our origins and built environments, our cultures and connections, our traditions and advances forward.
As a product of earth, clay also can't help but to express landscapes — mountains on the horizon, islands in the sea, cities from afar. These scaled landscapes can, in a moment, take us from our real sense of place and into other-worldly or imaginary realms. With these clay settings, I am exploring clay's capacity to embrace both groundedness and illusion, and how that can more fully and poetically express our human sense of place.
"Setting for Celadon I" exhibited at the 2015 NCECA Biennial in Providence, RI, juried by Anders Ruhwald, Linda Christianson, and Jo-Ann Conklin